<?xml version='1.0' encoding='utf-8' ?>
<!--  If you are running a bot please visit this policy page outlining rules you must respect. http://www.livejournal.com/bots/  -->
<rss version='2.0' xmlns:lj='http://www.livejournal.org/rss/lj/1.0/' xmlns:media='http://search.yahoo.com/mrss/' xmlns:atom10='http://www.w3.org/2005/Atom'>
<channel>
  <title>jabbearwock</title>
  <link>http://brillig01.livejournal.com/</link>
  <description>jabbearwock - LiveJournal.com</description>
  <lastBuildDate>Wed, 07 Jun 2006 05:39:43 GMT</lastBuildDate>
  <generator>LiveJournal / LiveJournal.com</generator>
  <lj:journal>brillig01</lj:journal>
  <lj:journalid>639129</lj:journalid>
  <lj:journaltype>personal</lj:journaltype>
  <atom10:link rel='hub' href='http://pubsubhubbub.appspot.com/' />
  <image>
    <url>http://l-userpic.livejournal.com/43666734/639129</url>
    <title>jabbearwock</title>
    <link>http://brillig01.livejournal.com/</link>
    <width>94</width>
    <height>100</height>
  </image>

<item>
  <guid isPermaLink='true'>http://brillig01.livejournal.com/24332.html</guid>
  <pubDate>Wed, 07 Jun 2006 05:39:43 GMT</pubDate>
  <title>What Battlestar Galactica has brought me to.</title>
  <link>http://brillig01.livejournal.com/24332.html</link>
  <description>&lt;p&gt;I think the new BG is the best scifi series ever, and I&apos;ve found a wonderful man that likes it too that I&apos;ve been emailing and chatting with.&amp;nbsp; He asked me the big Cylon question, &quot;Do humans deserve to survive?,&quot;and here&apos;s my reply:&lt;br /&gt;&lt;br /&gt;Ok, the BIG question.&amp;nbsp; The question itself&amp;nbsp;has the presumption that&amp;nbsp;survival&amp;nbsp;is on a merit system.&amp;nbsp;&amp;nbsp;Is the fittest most deserving of survival?&amp;nbsp;&amp;nbsp;And is that the most morally, physically, or intellectually fit?&amp;nbsp; Because of my vested interest, I think we do deserve to survive, as much as any other species that I&apos;m currently aware of.&amp;nbsp; I suppose I have a Catholic bias (I&apos;m a&amp;nbsp;bitter former&amp;nbsp;Catholic)&amp;nbsp;in that I believe that&amp;nbsp;everyone has inherent worth that status or behavior cannot change.&amp;nbsp; Rich or poor, guilty or innocent, fat or thin, we&amp;nbsp;are invested with life by some agency that deemed us worthy to exist.&amp;nbsp; Whether that agent is science,&amp;nbsp;a divine entity, or dumb luck, I trust it more than any judge or jury, and certainly more than Cylons who, even if created by the most intelligent humans, are&amp;nbsp;created by a flawed creator--and not flawed as in Original Sin, but flawed&amp;nbsp;by limited perception.&amp;nbsp;&amp;nbsp;Which brings up the question,&amp;nbsp;if we are made in the image of God and we are flawed, is God&apos;s image flawed or our perception of his image?&amp;nbsp; Could it be that we are&amp;nbsp;perfect little flesh machines whose only purpose is to reproduce and die so that we survive as a species?&lt;br /&gt;&lt;br /&gt;What do you think?&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</description>
  <comments>http://brillig01.livejournal.com/24332.html</comments>
  <lj:music>Paul Simon - Outrageous</lj:music>
  <media:title type="plain">Paul Simon - Outrageous</media:title>
  <lj:mood>contemplative</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>6</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>http://brillig01.livejournal.com/24164.html</guid>
  <pubDate>Thu, 04 May 2006 19:48:06 GMT</pubDate>
  <title>Does A Bear Piss in the Woods?</title>
  <link>http://brillig01.livejournal.com/24164.html</link>
  <description>&lt;span class=&quot;TITLE&quot;&gt;&lt;font color=&quot;#cf6500&quot; size=&quot;3&quot;&gt;&lt;p&gt;Today&apos;s poem is from &lt;i&gt;Toward the Distant Islands: New and Selected Poems&lt;/i&gt;, just published by Copper Canyon Press. Reprinted with permission. All rights reserved.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.poets.org/sponsor-book-profile.php/prmBookID/218/prmSponsorID/111&quot; target=&quot;_blank&quot;&gt;&lt;font color=&quot;#336699&quot;&gt;Read more about this book.&lt;/font&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;br /&gt;Letter to Denise&lt;/font&gt;&lt;/span&gt;&lt;br /&gt;&lt;font size=&quot;2&quot;&gt;by Hayden Carruth&lt;/font&gt;&lt;br /&gt;&lt;p&gt;Remember when you put on that wig&lt;br /&gt;From the grab bag and then looked at yourself&lt;br /&gt;In the mirror and laughed, and we laughed together?&lt;br /&gt;It was a transformation, glamorous flowing tresses.&lt;br /&gt;Who knows if you might not have liked to wear&lt;br /&gt;That wig permanently, but of course you&lt;br /&gt;Wouldn’t. Remember when you told me how&lt;br /&gt;You meditated, looking at a stone until&lt;br /&gt;You knew the soul of the stone? Inwardly I&lt;br /&gt;Scoffed, being the backwoods pragmatic Yankee&lt;br /&gt;That I was, yet I knew what you meant. I&lt;br /&gt;Called it love. No magic was needed. And we&lt;br /&gt;Loved each other too, not in the way of&lt;br /&gt;Romance but in the way of two poets loving&lt;br /&gt;A stone, and the world that the stone signified.&lt;br /&gt;Remember when we had that argument over&lt;br /&gt;Pee and piss in your poem about the bear?&lt;br /&gt;“Bears don’t pee, they piss,” I said. But you were&lt;br /&gt;Adamant. “My bears pee.” And that was that.&lt;br /&gt;Then you moved away, across the continent,&lt;br /&gt;And sometimes for a year I didn’t see you.&lt;br /&gt;We phoned and wrote, we kept in touch. And then&lt;br /&gt;You moved again, much farther away, I don’t&lt;br /&gt;Know where. No word from you now at all. But&lt;br /&gt;I am faithful, my dear Denise. And I still&lt;br /&gt;Love the stone, and, yes, I know its soul.&lt;/p&gt;</description>
  <comments>http://brillig01.livejournal.com/24164.html</comments>
  <lj:security>public</lj:security>
  <lj:reply-count>1</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>http://brillig01.livejournal.com/23854.html</guid>
  <pubDate>Sun, 30 Apr 2006 20:40:43 GMT</pubDate>
  <title>Poem-A-Day</title>
  <link>http://brillig01.livejournal.com/23854.html</link>
  <description>&lt;span class=&quot;TITLE&quot;&gt;&lt;font color=&quot;#cf6500&quot; size=&quot;3&quot;&gt;&lt;p&gt;Today&apos;s poem is from &lt;i&gt;A Word Like Fire: Selected Poems&lt;/i&gt;, just published by Other Press. Reprinted with permission. All rights reserved.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.poets.org/sponsor-book-profile.php/prmBookID/171/prmSponsorID/108&quot; target=&quot;_blank&quot;&gt;&lt;font color=&quot;#336699&quot;&gt;Read more about this book.&lt;/font&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;Example and Admonition&lt;/font&gt;&lt;/span&gt;&lt;br /&gt;&lt;font size=&quot;2&quot;&gt;by Dick Barnes&lt;/font&gt;&lt;br /&gt;&lt;p&gt;My father’s admonition: when given&lt;br /&gt;a choice, choose the path that&lt;br /&gt;leads uphill, always,&lt;/p&gt;&lt;p&gt;so up we went, but all led down soon after:&lt;br /&gt;our destination Deep Creek, where water had gathered&lt;br /&gt;by taking every downhill opportunity.&lt;/p&gt;&lt;p&gt;We thought of that when the higher path turned down,&lt;br /&gt;but no one mentioned it then, nor ever, in fact, til now.&lt;br /&gt;Two lessons: and though sometimes I feel clever,&lt;/p&gt;&lt;p&gt;and have read the Chou I book all about that water,&lt;br /&gt;I’ve not forsaken either one. If there be something in a man&lt;br /&gt;that flows uphill, he has to go with it&lt;/p&gt;&lt;p&gt;whatever sweat or humiliation may attend his going.&lt;br /&gt;Done patiently, this is called &quot;matching heaven with heaven.&quot;&lt;br /&gt;Otherwise, just strife.&lt;/p&gt;</description>
  <comments>http://brillig01.livejournal.com/23854.html</comments>
  <lj:music>Concrete Blonde - Walking in London</lj:music>
  <media:title type="plain">Concrete Blonde - Walking in London</media:title>
  <lj:mood>relaxed</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>http://brillig01.livejournal.com/23438.html</guid>
  <pubDate>Fri, 21 Apr 2006 17:04:01 GMT</pubDate>
  <title>The wonderful thing about Tiggers (NWS)</title>
  <link>http://brillig01.livejournal.com/23438.html</link>
  <description>&lt;font face=&quot;Arial&quot;&gt;&lt;br /&gt;Is Tiggers are wonderful things&lt;br /&gt;Their tops are made out of rubber&lt;br /&gt;Their bottoms are made out of &lt;strike&gt;springs&lt;/strike&gt; Elmos&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://livedigital.com/content/47985/&quot;&gt;http://livedigital.com/content/47985/&lt;/a&gt;</description>
  <comments>http://brillig01.livejournal.com/23438.html</comments>
  <lj:music>Willie Nelson - Cowboys Are Frequently Secretly (Fond of Each Other) [iTunes Originals Version]</lj:music>
  <media:title type="plain">Willie Nelson - Cowboys Are Frequently Secretly (Fond of Each Other) [iTunes Originals Version]</media:title>
  <lj:mood>amused</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>http://brillig01.livejournal.com/23089.html</guid>
  <pubDate>Fri, 21 Apr 2006 16:08:08 GMT</pubDate>
  <title>Poem-A-Day</title>
  <link>http://brillig01.livejournal.com/23089.html</link>
  <description>&lt;p&gt;&lt;table cellspacing=&quot;0&quot; cellpadding=&quot;1&quot; width=&quot;100%&quot; border=&quot;0&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;img height=&quot;1&quot; alt=&quot;&quot; src=&quot;http://www.poets.org/images/spacer.gif&quot; width=&quot;10&quot; border=&quot;0&quot;&gt;&lt;/td&gt;&lt;td&gt;&lt;p&gt;Today&apos;s poem is from &lt;i&gt;To a Fault&lt;/i&gt;, just published by W. W. Norton &amp;amp; Company. Reprinted with permission. All rights reserved.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.poets.org/sponsor-book-profile.php/prmBookID/42/prmSponsorID/20&quot; target=&quot;_blank&quot;&gt;&lt;font color=&quot;#336699&quot;&gt;Read more about this book.&lt;/font&gt;&lt;/a&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;span class=&quot;TITLE&quot;&gt;&lt;font color=&quot;#cf6500&quot; size=&quot;3&quot;&gt;The Bearhug&lt;/font&gt;&lt;/span&gt;&lt;br /&gt;&lt;font size=&quot;2&quot;&gt;by Nick Laird&lt;/font&gt;&lt;br /&gt;&lt;p&gt;It’s not as if I’m intending on spending the rest of my life &lt;br /&gt;doing this:&lt;br /&gt;besuited, rebooted, filing to work, this poem a fishbone in &lt;br /&gt;my briefcase.&lt;br /&gt;The scaffolding clinging to St Paul’s is less urban ivy than &lt;br /&gt;skin, peeling off. &lt;/p&gt;&lt;p&gt;A singular sprinkler shaking his head spits at the newsprint &lt;br /&gt;of birdshit.&lt;br /&gt;It’s going unread: Gooseberry Poptarts, stale wheaten &lt;br /&gt;bread, Nutella and toothpaste.&lt;br /&gt;An open-armed crane turns to embrace the aeroplanes &lt;br /&gt;passing above.&lt;/p&gt;&lt;p&gt;I hadn’t the foggiest notion. Imagine: me, munching &lt;br /&gt;cardboard and rubbish,&lt;br /&gt;but that’s just what they meant when they said, Come in, &lt;br /&gt;you’re dead-beat,&lt;br /&gt;take the weight off your paws, you’re a big weary grizzly &lt;br /&gt;with a hook through his mouth,&lt;/p&gt;&lt;p&gt;here, have some of this love.&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/p&gt;</description>
  <comments>http://brillig01.livejournal.com/23089.html</comments>
  <lj:music>Kate Bush - King of the Mountain</lj:music>
  <media:title type="plain">Kate Bush - King of the Mountain</media:title>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>http://brillig01.livejournal.com/22808.html</guid>
  <pubDate>Wed, 19 Apr 2006 16:53:32 GMT</pubDate>
  <link>http://brillig01.livejournal.com/22808.html</link>
  <description>&lt;p&gt;&lt;span class=&quot;TITLE&quot;&gt;&lt;font color=&quot;#cf6500&quot; size=&quot;3&quot;&gt;&lt;br /&gt;&lt;font size=&quot;2&quot;&gt;&lt;p&gt;April 19, 2006&lt;/p&gt;&lt;p&gt;Today&apos;s poem is from &lt;i&gt;Wind in a Box&lt;/i&gt;, just published by Penguin. Reprinted with permission. All rights reserved.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.poets.org/sponsor-book-profile.php/prmBookID/214/prmSponsorID/107&quot; target=&quot;_blank&quot;&gt;Read more about this book.&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;The Blue Terrance&lt;/font&gt;&lt;/span&gt;&lt;br /&gt;&lt;font size=&quot;2&quot;&gt;by Terrance Hayes&lt;/font&gt;&lt;br /&gt;&lt;p&gt;If you subtract the minor losses,&lt;br /&gt;you can return to your childhood too:&lt;br /&gt;the blackboard chalked with crosses,&lt;/p&gt;&lt;p&gt;the math teacher&apos;s toe ring. You&lt;br /&gt;can be the black boy not even the buck-&lt;br /&gt;toothed girls took a liking to:&lt;/p&gt;&lt;p&gt;the match box, these bones in their funk&lt;br /&gt;machine, this thumb worn smooth&lt;br /&gt;as the belly of a shovel. Thump. Thump.&lt;/p&gt;&lt;p&gt;Thump. Everything I hold takes root.&lt;br /&gt;I remember what the world was like before&lt;br /&gt;I heard the tide humping the shore smooth,&lt;/p&gt;&lt;p&gt;and the lyrics asking: &lt;em&gt;How long has your door&lt;br /&gt;been closed?&lt;/em&gt; I remember a garter belt wrung&lt;br /&gt;like a snake around a thigh in the shadows&lt;/p&gt;&lt;p&gt;of a wedding gown before it was flung&lt;br /&gt;out into the bluest part of the night.&lt;br /&gt;Suppose you were nothing but a song&lt;/p&gt;&lt;p&gt;in a busted speaker? Suppose you had to wipe&lt;br /&gt;sweat from the brow of a righteous woman,&lt;br /&gt;but all you owned was a dirty rag? That&apos;s why&lt;/p&gt;&lt;p&gt;the blues will never go out of fashion:&lt;br /&gt;their half rotten aroma, their bloodshot octaves of&lt;br /&gt;consequence; that&apos;s why when they call, Boy, you&apos;re in &lt;/p&gt;&lt;p&gt;trouble. Especially if you love as I love&lt;br /&gt;falling to the earth. Especially if you&apos;re a little bit&lt;br /&gt;high strung and a little bit gutted balloon. I love&lt;/p&gt;&lt;p&gt;watching the sky regret nothing but its&lt;br /&gt;self, though only my lover knows it to be so,&lt;br /&gt;and only after watching me sit&lt;/p&gt;&lt;p&gt;and stare off past Heaven. I love the word &lt;em&gt;No&lt;/em&gt;&lt;br /&gt;for its prudence, but I love the romantic&lt;br /&gt;who submits finally to sex in a burning row-&lt;/p&gt;&lt;p&gt;house more. That&apos;s why nothing&apos;s more romantic&lt;br /&gt;than working your teeth through &lt;br /&gt;the muscle. Nothing&apos;s more romantic&lt;/p&gt;&lt;p&gt;than the way good love can take leave of you.&lt;br /&gt;That&apos;s why I&apos;m so doggone lonesome, Baby,&lt;br /&gt;yes, I&apos;m lonesome and I&apos;m blue. &lt;/p&gt;</description>
  <comments>http://brillig01.livejournal.com/22808.html</comments>
  <lj:music>Annie Lennox - Loneliness</lj:music>
  <media:title type="plain">Annie Lennox - Loneliness</media:title>
  <lj:mood>bored</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>http://brillig01.livejournal.com/22709.html</guid>
  <pubDate>Sun, 16 Apr 2006 19:30:34 GMT</pubDate>
  <title>Poem-A-Day (interesting choice for Easter)</title>
  <link>http://brillig01.livejournal.com/22709.html</link>
  <description>&lt;p&gt;Today&apos;s poem is from &lt;i&gt;Howl on Trial&lt;/i&gt;, just published by City Lights Publishers. Reprinted with permission. All rights reserved.&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.poets.org/sponsor-book-profile.php/prmBookID/148/prmSponsorID/92&quot; target=&quot;_blank&quot;&gt;Read more about this book.&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;&lt;span class=&quot;TITLE&quot;&gt;&lt;font color=&quot;#cf6500&quot; size=&quot;3&quot;&gt;excerpt from &quot;Howl&quot;&lt;/font&gt;&lt;/span&gt;&lt;br /&gt;&lt;/strong&gt;&lt;font size=&quot;2&quot;&gt;by Allen Ginsberg&lt;/font&gt;&lt;br /&gt;&lt;p&gt;I saw the best minds of my generation destroyed by&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;madness, starving hysterical naked,&lt;br /&gt;dragging themselves through the negro streets at dawn &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;looking for an angry fix,&lt;br /&gt;angelheaded hipsters burning for the ancient heavenly &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;connection to the starry dynamo in the machin-&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;ery of night,&lt;br /&gt;who poverty and tatters and hollow-eyed and high sat &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;up smoking in the supernatural darkness of &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;cold-water flats floating across the tops of cities &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;contemplating jazz,&lt;br /&gt;who bared their brains to Heaven under the El and &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;saw Mohammedan angels staggering on tene-&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;ment roofs illuminated,&lt;br /&gt;who passed through universities with radiant cool eyes&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;hallucinating Arkansas and Blake-light tragedy &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;among the scholars of war,&lt;br /&gt;who were expelled from the academies for crazy &amp;amp; &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;publishing obscene odes on the windows of the &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;skull,&lt;br /&gt;who cowered in unshaven rooms in underwear, burn-&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;ing their money in wastebaskets and listening &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;to the Terror through the wall,&lt;br /&gt;who got busted in their pubic beards returning through &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Laredo with a belt of marijuana for New York,&lt;br /&gt;who ate fire in paint hotels or drank turpentine in &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Paradise Alley, death, or purgatoried their &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;torsos night after night&lt;br /&gt;with dreams, with drugs, with waking nightmares, al-&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;cohol and cock and endless balls,&lt;br /&gt;incomparable blind streets of shuddering cloud and &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;lightning in the mind leaping toward poles of &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Canada &amp;amp; Paterson, illuminating all the mo-&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;tionless world of Time between,&lt;br /&gt;Peyote solidities of halls, backyard green tree cemetery &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;dawns, wine drunkenness over the rooftops, &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;storefront boroughs of teahead joyride neon &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;blinking traffic light, sun and moon and tree &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;vibrations in the roaring winter dusks of Brook-&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;lyn, ashcan rantings and kind king light of mind,&lt;br /&gt;who chained themselves to subways for the endless &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;ride from Battery to holy Bronx on benzedrine &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;until the noise of wheels and children brought &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;them down shuddering mouth-wracked and &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;battered bleak of brain all drained of brilliance &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;in the drear light of Zoo...&lt;/p&gt;</description>
  <comments>http://brillig01.livejournal.com/22709.html</comments>
  <lj:music>Eurythmics - Sexcrime (Nineteen Eighty-Four)</lj:music>
  <media:title type="plain">Eurythmics - Sexcrime (Nineteen Eighty-Four)</media:title>
  <lj:mood>enthralled</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>3</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>http://brillig01.livejournal.com/22042.html</guid>
  <pubDate>Thu, 13 Apr 2006 19:12:13 GMT</pubDate>
  <title>Poem-A-Day</title>
  <link>http://brillig01.livejournal.com/22042.html</link>
  <description>&lt;span class=&quot;TITLE&quot;&gt;&lt;font color=&quot;#cf6500&quot; size=&quot;3&quot;&gt;&lt;div&gt;&lt;a href=&quot;http://www.amazon.com/exec/obidos/ASIN/0156032058/poetsorg-20?creative=327641&amp;amp;camp=14573&amp;amp;adid=1RBXY9A9KJQTXQF4DEPE&amp;amp;link_code=as1&quot; target=&quot;_blank&quot;&gt;&lt;img src=&quot;http://rcm-images.amazon.com/images/P/0156032058.01._SL110_SCTZZZZZZZ_.jpg&quot;&gt;&lt;/a&gt; &lt;/div&gt;&lt;p&gt;&lt;a href=&quot;http://www.amazon.com/exec/obidos/ASIN/0156032058/poetsorg-20?creative=327641&amp;amp;camp=14573&amp;amp;adid=1RBXY9A9KJQTXQF4DEPE&amp;amp;link_code=as1&quot; target=&quot;_blank&quot;&gt;&lt;font color=&quot;#537699&quot;&gt;The Book for My Brother&lt;/font&gt;&lt;/a&gt; &lt;/p&gt;&lt;p&gt;Tomaz Salamun&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Young Cops&lt;/font&gt;&lt;/span&gt;&lt;br /&gt;&lt;font size=&quot;2&quot;&gt;by Tomaž Šalamun&lt;/font&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;All young cops have soft&lt;br /&gt;mild eyes. Their upbringing is lavish.&lt;br /&gt;They walk between blueberries and ferns,&lt;br /&gt;rescuing grannies from rising waters.&lt;br /&gt;With the motion of a hand they ask for&lt;br /&gt;a snack from those plastic bags. They&lt;br /&gt;sit down on tree stumps, looking at valleys&lt;br /&gt;and thinking of their moms. But woe is me&lt;br /&gt;if a young one gets mad. A Scourge&lt;br /&gt;of God rings, with a club that later you can&lt;br /&gt;borrow to blot your bare feet.&lt;br /&gt;Every cop wears a cap, his head murmuring under it&lt;br /&gt;A sled rushes down a slope in his dreams.&lt;br /&gt;Whomever he kills, he brings spring to,&lt;br /&gt;whomever he touches has a wound inscribed.&lt;br /&gt;I would give my granny and my &lt;br /&gt;grandpa, my mom and my pa, my wife&lt;br /&gt;and my son to a cop to play with.&lt;br /&gt;He would tie up my granny’s white hair,&lt;br /&gt;but he’d probably chop up my son&lt;br /&gt;on the stump of a tree. The cop himself would be sad&lt;br /&gt;that his toy was broken. That’s the way they are &lt;br /&gt;when smoking pot: melancholy. They take off&lt;br /&gt;their caps and breathe their tears into them.&lt;br /&gt;Actually, they’re like camels riding&lt;br /&gt;in the desert, as if it were the wet palm of a hand.&lt;/p&gt;</description>
  <comments>http://brillig01.livejournal.com/22042.html</comments>
  <lj:music>Martha Wainwright - Bloody Mother Fucking Asshole</lj:music>
  <media:title type="plain">Martha Wainwright - Bloody Mother Fucking Asshole</media:title>
  <lj:mood>contemplative</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>http://brillig01.livejournal.com/21812.html</guid>
  <pubDate>Mon, 10 Apr 2006 23:38:00 GMT</pubDate>
  <title>Poem-A-Day from April 5</title>
  <link>http://brillig01.livejournal.com/21812.html</link>
  <description>&lt;p&gt;&lt;table cellspacing=&quot;0&quot; cellpadding=&quot;2&quot; width=&quot;100%&quot; border=&quot;0&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;img src=&quot;http://www.poets.org/poets/images/spacer.gif&quot; width=&quot;1&quot;&gt;&lt;/td&gt;&lt;td&gt;&lt;strong&gt;The Sorrow Psalms: A Book of Twentieth-Century Elegy&lt;/strong&gt;&lt;br /&gt;edited by Lynn Strongin &lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;img src=&quot;http://www.poets.org/poets/images/spacer.gif&quot; width=&quot;1&quot;&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;img style=&quot;MARGIN-RIGHT: 6px&quot; hspace=&quot;0&quot; src=&quot;http://www.poets.org/images/sponsors/85NPM-book.jpg&quot; align=&quot;left&quot; vspace=&quot;4&quot; border=&quot;0&quot;&gt; At their most mournful, with praise and love and raw emotion, poets throughout time have put their grief to paper. The elegy and its inherent drama---the inevitable struggle between love and death---are showcased in The Sorrow Psalms, a collection of twentieth-century elegies edited by poet Lynn Strongin. &lt;br /&gt;&lt;br /&gt;Divided into five thematic sections, the elegies convey the impact of death and its aftermath; focus on the loss of family, lovers, and dear friends; contend with the loss of a child; deal with violent death; and seek to look beyond death to find some kind of resolution. The traditional stages of grieving---denial, anger, depression, and acceptance---are evident, either singly in the expression of one profound emotion or all at once, in these elegies. Strongin&apos;s introduction explains the origins of the elegy and its evolution through the twentieth century. &lt;br /&gt;&lt;p&gt;&lt;b&gt;Format:&lt;/b&gt; Paperback&lt;br /&gt;&lt;b&gt;Publication Date:&lt;/b&gt; 6/1/2006&lt;br /&gt;&lt;b&gt;Price:&lt;/b&gt; $24.95&lt;br /&gt;&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;b&gt;&lt;a href=&quot;http://www.poets.org/sponsor-profile.php/prmSponsorID/76&quot;&gt;University of Iowa Press&lt;/a&gt; is a proud sponsor of National Poetry Month&lt;/b&gt; &lt;p&gt;See other new books from University of Iowa Press &lt;a href=&quot;http://www.poets.org/sponsor-profile.php/prmSponsorID/76&quot;&gt;Go&amp;nbsp;&amp;gt;&lt;/a&gt; &lt;p&gt;&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;img src=&quot;http://www.poets.org/poets/images/spacer.gif&quot; width=&quot;1&quot;&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;hr&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;img src=&quot;http://www.poets.org/poets/images/spacer.gif&quot; width=&quot;1&quot;&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;span class=&quot;title&quot;&gt;What Came to Me&lt;/span&gt; &lt;br /&gt;by &lt;a href=&quot;http://www.poets.org/poet.php/prmPID/361&quot;&gt;Jane Kenyon&lt;/a&gt; &lt;p&gt;&lt;p&gt;I took the last&lt;br /&gt;dusty piece of china&lt;br /&gt;out of the barrel.&lt;br /&gt;It was your gravy boat,&lt;br /&gt;with a hard, brown&lt;br /&gt;drop of gravy still&lt;br /&gt;on the porcelain lip.&lt;br /&gt;I grieved for you then&lt;br /&gt;as I never had before. &lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;From &lt;i&gt;The Sorrow Psalms: A Book of Twentieth-Century Elegy&lt;/i&gt; edited by Lynn Strongin. Reprinted with permission of the publisher. All rights reserved.&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/p&gt;</description>
  <comments>http://brillig01.livejournal.com/21812.html</comments>
  <lj:music>Linda Ronstadt - I Fall to Pieces</lj:music>
  <media:title type="plain">Linda Ronstadt - I Fall to Pieces</media:title>
  <lj:mood>pensive</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>http://brillig01.livejournal.com/21171.html</guid>
  <pubDate>Sat, 01 Apr 2006 07:35:26 GMT</pubDate>
  <title>Poem A Day: from Poets.org</title>
  <link>http://brillig01.livejournal.com/21171.html</link>
  <description>Happy Poetry Month!&lt;br /&gt;&lt;br /&gt;&lt;table cellspacing=&quot;0&quot; cellpadding=&quot;4&quot; width=&quot;100%&quot; border=&quot;0&quot;&gt;&lt;tbody&gt;&lt;tr bgcolor=&quot;#dcdcc6&quot;&gt;&lt;td class=&quot;title&quot; width=&quot;100%&quot;&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;table cellspacing=&quot;0&quot; cellpadding=&quot;2&quot; width=&quot;100%&quot; border=&quot;0&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;img src=&quot;http://www.poets.org/poets/images/spacer.gif&quot; width=&quot;1&quot;&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;b class=&quot;TITLE&quot;&gt;Averno&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;img src=&quot;http://www.poets.org/poets/images/spacer.gif&quot; width=&quot;1&quot;&gt;&lt;/td&gt;&lt;td&gt;by Louise Gluck &lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;img src=&quot;http://www.poets.org/poets/images/spacer.gif&quot; width=&quot;1&quot;&gt;&lt;/td&gt;&lt;td&gt;&lt;br /&gt;&lt;img style=&quot;MARGIN-RIGHT: 6px&quot; hspace=&quot;0&quot; src=&quot;http://www.poets.org/images/sponsors/102NPM-book.jpg&quot; align=&quot;left&quot; vspace=&quot;4&quot; border=&quot;0&quot;&gt; Louise Glück is the author of numerous books of poetry, including among many others The Seven Ages (Ecco Press, 2001); Vita Nova (1999), winner of Boston Book Review’s Bingham Poetry Prize; Meadowlands (1996); The Wild Iris (1992), which received the Pulitzer Prize and the Poetry Society of America’s William Carlos Williams Award. AVERNO, her first collection to be published by FSG, mines the ancient myth of Persephone for the light that it sheds on the experience of death and dying. Though these seventeen lyrical poems can be read easily in one sitting, their ambition and seriousness are palpable; in them, Glück strikes a deft balance of depth and lightness, of universality and intimacy, her words mediating in a revelatory way between the ancient and modern worlds. AVERNO is the work of a master at the height of her powers. &lt;p&gt;&lt;b&gt;Format:&lt;/b&gt; Hardcover&lt;br /&gt;&lt;b&gt;Publication Date:&lt;/b&gt; March 14, 2006&lt;br /&gt;&lt;b&gt;Price:&lt;/b&gt; $22.00&lt;br /&gt;&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;b&gt;&lt;a href=&quot;http://www.poets.org/sponsor-profile.php/prmSponsorID/97&quot;&gt;Farrar, Straus and Giroux&lt;/a&gt; is a proud sponsor of National Poetry Month&lt;/b&gt; &lt;p&gt;See other new books from Farrar, Straus and Giroux &lt;a href=&quot;http://www.poets.org/sponsor-profile.php/prmSponsorID/97&quot;&gt;Go&amp;nbsp;&amp;gt;&lt;/a&gt; &lt;p&gt;&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;img src=&quot;http://www.poets.org/poets/images/spacer.gif&quot; width=&quot;1&quot;&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;hr&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;img src=&quot;http://www.poets.org/poets/images/spacer.gif&quot; width=&quot;1&quot;&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&lt;span class=&quot;title&quot;&gt;A Myth of Devotion&lt;/span&gt; &lt;br /&gt;by &lt;a href=&quot;http://www.poets.org/poet.php/prmPID/82&quot;&gt;Louise Glück&lt;/a&gt; &lt;p&gt;&lt;p&gt;When Hades decided he loved this girl&lt;br /&gt;he built for her a duplicate of earth,&lt;br /&gt;everything the same, down to the meadow,&lt;br /&gt;but with a bed added.&lt;/p&gt;&lt;p&gt;Everything the same, including sunlight,&lt;br /&gt;because it would be hard on a young girl&lt;br /&gt;to go so quickly from bright light to utter darkness&lt;/p&gt;&lt;p&gt;Gradually, he thought, he&apos;d introduce the night,&lt;br /&gt;first as the shadows of fluttering leaves.&lt;br /&gt;Then moon, then stars. Then no moon, no stars.&lt;br /&gt;Let Persephone get used to it slowly.&lt;br /&gt;In the end, he thought, she&apos;d find it comforting.&lt;/p&gt;&lt;p&gt;A replica of earth&lt;br /&gt;except there was love here.&lt;br /&gt;Doesn&apos;t everyone want love?&lt;/p&gt;&lt;p&gt;He waited many years,&lt;br /&gt;building a world, watching&lt;br /&gt;Persephone in the meadow.&lt;br /&gt;Persephone, a smeller, a taster.&lt;br /&gt;If you have one appetite, he thought,&lt;br /&gt;you have them all.&lt;/p&gt;&lt;p&gt;Doesn&apos;t everyone want to feel in the night&lt;br /&gt;the beloved body, compass, polestar,&lt;br /&gt;to hear the quiet breathing that says&lt;br /&gt;&lt;em&gt;I am alive&lt;/em&gt;, that means also&lt;br /&gt;you are alive, because you hear me,&lt;br /&gt;you are here with me. And when one turns,&lt;br /&gt;the other turns—&lt;/p&gt;&lt;p&gt;That&apos;s what he felt, the lord of darkness,&lt;br /&gt;looking at the world he had&lt;br /&gt;constructed for Persephone. It never crossed his mind&lt;br /&gt;that there&apos;d be no more smelling here,&lt;br /&gt;certainly no more eating.&lt;/p&gt;&lt;p&gt;Guilt? Terror? The fear of love?&lt;br /&gt;These things he couldn&apos;t imagine;&lt;br /&gt;no lover ever imagines them.&lt;/p&gt;&lt;p&gt;He dreams, he wonders what to call this place.&lt;br /&gt;First he thinks: &lt;em&gt;The New Hell&lt;/em&gt;. Then: &lt;em&gt;The Garden&lt;/em&gt;.&lt;br /&gt;In the end, he decides to name it&lt;br /&gt;&lt;em&gt;Persephone&apos;s Girlhood&lt;/em&gt;.&lt;/p&gt;&lt;p&gt;A soft light rising above the level meadow,&lt;br /&gt;behind the bed. He takes her in his arms.&lt;br /&gt;He wants to say &lt;em&gt;I love you, nothing can hurt you&lt;/em&gt;&lt;/p&gt;&lt;p&gt;but he thinks&lt;br /&gt;this is a lie, so he says in the end&lt;br /&gt;&lt;em&gt;you&apos;re dead, nothing can hurt you&lt;/em&gt;&lt;br /&gt;which seems to him&lt;br /&gt;a more promising beginning, more true. &lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&quot;A Myth of Devotion&quot; from &lt;i&gt;Averno&lt;/i&gt; by Louise Glück. Copyright © 2006 by Louise Glück. Reprinted by permission of Farrar, Straus and Giroux, LLC.&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;</description>
  <comments>http://brillig01.livejournal.com/21171.html</comments>
  <lj:music>Eurythmics - I&apos;ve Got a Life</lj:music>
  <media:title type="plain">Eurythmics - I&apos;ve Got a Life</media:title>
  <lj:mood>excited</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>http://brillig01.livejournal.com/20773.html</guid>
  <pubDate>Wed, 29 Mar 2006 19:37:00 GMT</pubDate>
  <title>Will Success Change Me?</title>
  <link>http://brillig01.livejournal.com/20773.html</link>
  <description>&lt;p&gt;I&apos;ve recently returned from the annual American Comparative Literature Association conference at Princeton University where I presented my extended critical essay to a clump of scholars wedged into a small room in the East Pyne building, which gave me a scary and exciting feeling of deja vu (the building, not the clump of scholars or presenting my paper) until I remembered that many scenes from &lt;em&gt;A Beautiful Mind &lt;/em&gt;were filmed there.&amp;nbsp; My paper being pick from several hundred others who responded to the call for papers tells me that&amp;nbsp;I must face the fact that I am a poet &lt;em&gt;and&lt;/em&gt; a scholar, too close to&amp;nbsp;&quot;a gentleman and a scholar&quot; for me.&amp;nbsp;&amp;nbsp;Being perceived as a gentleman could ruin my reputation.&amp;nbsp; Being perceived as a scholar could give me one.&amp;nbsp; &lt;br /&gt;&lt;br /&gt;Actually, I think that I maintained my aura of bothersome poet by attempting to dread my locks.&amp;nbsp; Anyone who has ever had dreadlocks or witnessed anyone&amp;nbsp;growing dreadlocks know that it requires&amp;nbsp;a commitment&amp;nbsp;and friends,&amp;nbsp;who have had&amp;nbsp;or helped someone&amp;nbsp;have the snaky coif, to help.&amp;nbsp; I had neither.&amp;nbsp; Well, I think the problems may have been over-commitment and unwillingness to ask for help.&amp;nbsp; What ended up happening was that&amp;nbsp;I traversed the Princeton campus appearing as if I had cat turds in my hair.&amp;nbsp; My fine and thinning cracker hair does not mat&amp;nbsp;in an attractive&amp;nbsp;manner.&lt;br /&gt;&amp;nbsp; &lt;br /&gt;&lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;&lt;br /&gt;In a misguided attempt to beautify my gnarled head scape, I kept rubbing, twisting, and waxing the uncooperative tendrils until&amp;nbsp;just before the&amp;nbsp;flight home I rubbed, twisted, and waxed&amp;nbsp;a dread off my head.&amp;nbsp; The pointy fellow that once stood erect&amp;nbsp;on the center front of my hairline&amp;nbsp;began to droop.&amp;nbsp; To increase its morale, I gave it extended attention, rubbing and twisting it, until exhausted, it fell into my lap.&amp;nbsp; This event gave me a deja vu that&amp;nbsp;I will not go into except to say that it too involved a pointy fellow needing a morale boost.&lt;br /&gt;&lt;br /&gt;Luck would have it that I was able to improve my situation in a literary manner.&amp;nbsp;&amp;nbsp;In my carry-on bag, I had my &lt;em&gt;Missouri Review&lt;/em&gt;&amp;nbsp;cap that I receive as a gift for buying a two year subscription to the magazine.&amp;nbsp; I used it&amp;nbsp;both literally and metaphorically to cover my dreads or lack there of.&amp;nbsp; &lt;br /&gt;&lt;br /&gt;When I examined the fallen dread, I was unable to deny that it looked remarkably like something a cat shat or hacked up.&amp;nbsp; Having upon my head something that came from either end of a cat was not the look I had hoped to&amp;nbsp;sport&amp;nbsp;to my first conference at which I was to present a scholarly paper.&amp;nbsp; That no one snickered or ran screaming from me has given me a new respect for Comparative Literature scholars.&amp;nbsp; And I have a new pride in myself that a mere MFA in Creative Writing student with questionable hair&amp;nbsp;was able to hold his&amp;nbsp;own among&amp;nbsp;colleagues&amp;nbsp;that are in a discipline sometimes considered more &quot;scholarly&quot; than the&amp;nbsp;workshop-centered&amp;nbsp;creative writing discipline.&amp;nbsp; &lt;br /&gt;&lt;br /&gt;Success has changed me.&amp;nbsp; I look back on this experience with less dread (no pun intended, but what a happy accident) than I would have before I had poems published and papers presented.&amp;nbsp; Success can really boost&amp;nbsp;self-esteem&amp;nbsp;and change perspectives.&amp;nbsp; It&apos;s taken less than a week for me to be able to look back and laugh at my&amp;nbsp;hairy&amp;nbsp;faux pas.&amp;nbsp; Frankly if success doesn&apos;t change a person, she&apos;s not taking full advantage of her position.&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/p&gt;</description>
  <comments>http://brillig01.livejournal.com/20773.html</comments>
  <lj:music>ABBA - Waterloo (English Version)</lj:music>
  <media:title type="plain">ABBA - Waterloo (English Version)</media:title>
  <lj:mood>accomplished</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>2</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>http://brillig01.livejournal.com/20511.html</guid>
  <pubDate>Fri, 10 Jun 2005 07:21:00 GMT</pubDate>
  <link>http://brillig01.livejournal.com/20511.html</link>
  <description>&lt;p&gt;&lt;img src=&quot;http://bluepyramid.org/ia/lvn.jpg&quot;&gt;&lt;br&gt;&lt;br /&gt;&lt;font face=&quot;Georgia, Georgia Ref, Book Antiqua, Garamond&quot; size=&quot;5&quot;&gt;&lt;br /&gt;You&apos;re &lt;i&gt;Lolita&lt;/i&gt;!&lt;br&gt;&lt;br /&gt;&lt;font size=&quot;4&quot;&gt;by Vladimir Nabokov&lt;/font&gt;&lt;br&gt;&lt;br /&gt;&lt;i&gt;&lt;font size=&quot;3&quot;&gt;Considered by most to be depraved and immoral, you are obsessed with&lt;br /&gt;sex. What really tantalizes you is that which deviates from societal standards in every&lt;br /&gt;way, though you admit that this probably isn&apos;t the best and you&apos;re not sure what causes&lt;br /&gt;this desire. Nonetheless, you&apos;ve done some pretty nefarious things in your life, and&lt;br /&gt;probably gotten caught for them. The names have been changed, but the problems are real.&lt;br /&gt;Please stay away from children.&lt;/font&gt;&lt;br&gt;&lt;br /&gt;&lt;font size=&quot;2&quot; face=&quot;Times New Roman&quot;&gt;&lt;/i&gt;&lt;br /&gt;Take the &lt;a href=&quot;http://bluepyramid.org/ia/bquiz.htm&quot;&gt;Book Quiz&lt;/a&gt;&lt;br /&gt;at the &lt;a href=&quot;http://bluepyramid.org&quot;&gt;Blue Pyramid&lt;/a&gt;.&lt;/font&gt;&lt;/font&gt;&lt;/p&gt;</description>
  <comments>http://brillig01.livejournal.com/20511.html</comments>
  <lj:mood>confused</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>2</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>http://brillig01.livejournal.com/20094.html</guid>
  <pubDate>Sun, 15 May 2005 07:59:51 GMT</pubDate>
  <link>http://brillig01.livejournal.com/20094.html</link>
  <description>&lt;p&gt;Today&apos;s poem is from The Aerialist by Victoria Hallerman, just published by Bright Hill Press. Reprinted with permission. All rights reserved. &lt;br /&gt;Find out more about Bright Hill Press &lt;/p&gt;&lt;p&gt;To find out more about the Academy of American Poets and its programs, including National Poetry Month, visit &lt;a href=&quot;http://www.poets.org&quot;&gt;www.poets.org&lt;/a&gt;. &lt;br /&gt;&amp;nbsp; &lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;&amp;nbsp;In honor of National Poetry Month,&lt;br /&gt;the Academy of American Poets brings you Poem-a-Day. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Aerialist&lt;br /&gt;by Victoria Hallerman &lt;/p&gt;&lt;p&gt;&lt;br /&gt;Her life is the wire—she can never come down.&lt;br /&gt;Sometimes she stops and sits on it to eat,&lt;br /&gt;even sleeps there, her whole body stretched&lt;br /&gt;as the wire is stretched. In sleep&lt;br /&gt;she keeps her balance,&lt;br /&gt;feet curled like a monkey’s&lt;br /&gt;the habit of grasping:&lt;/p&gt;&lt;p&gt;she has never fallen.&lt;br /&gt;She never will, not entirely.&lt;br /&gt;Once in a while a slip&lt;br /&gt;causes her to hang for a moment by her hands.&lt;br /&gt;It isn’t the danger of falling that slices through her dreams&lt;br /&gt;but the wire itself, drawing&lt;br /&gt;a line through her body,&lt;br /&gt;leaving a mark on the soles of her feet,&lt;/p&gt;&lt;p&gt;her buttocks, her back.&lt;br /&gt;If she were to cut the wire (she dreams of this)&lt;br /&gt;the sky would break like a mirror into the sea&lt;br /&gt;and nothing would be whole again.&lt;br /&gt;Virgin of the Apocalypse standing on a crescent moon,&lt;br /&gt;she is keeping&lt;br /&gt;Heaven and Earth apart.&lt;/p&gt;&lt;p&gt;&amp;nbsp; &lt;/p&gt;&lt;p&gt;&amp;nbsp;&amp;nbsp;&lt;br /&gt;&amp;nbsp;&lt;br /&gt;&lt;/p&gt;</description>
  <comments>http://brillig01.livejournal.com/20094.html</comments>
  <lj:security>public</lj:security>
  <lj:reply-count>1</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>http://brillig01.livejournal.com/19835.html</guid>
  <pubDate>Sat, 02 Apr 2005 11:57:50 GMT</pubDate>
  <link>http://brillig01.livejournal.com/19835.html</link>
  <description>&lt;table style=&quot;font-family : Arial, Verdana, Helvetica, sans-serif; border-collapse: collapse; border: 1px solid black;&quot; cellspacing=&quot;0&quot; cellpadding=&quot;2&quot; align=&quot;center&quot;&gt;&lt;form action=&quot;http://memegen.net/viewmeme.pl?meme=1074731062&quot; method=&quot;POST&quot;&gt;&lt;tr&gt;&lt;th colspan=&quot;2&quot; bgcolor=&quot;#000000&quot;&gt;&lt;font color=&quot;#DDDD88&quot;&gt;Dance the night away by &lt;a href=&quot;http://www.freewebs.com/karchan/&quot;&gt;&lt;font color=&quot;#DDDD88&quot;&gt;karchan85&lt;/font&gt;&lt;/a&gt;&lt;/font&gt;&lt;/th&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td bgcolor=&quot;#333333&quot; style=&quot;border: 1px solid black;&quot;&gt;&lt;span style=&quot;color: #FFFFFF;&quot;&gt;Name&lt;/span&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#DDDDAA&quot; style=&quot;border: 1px solid black;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;input type=&quot;text&quot; name=&quot;Name&quot; value=&quot;brillig01&quot; size=&quot;20&quot;&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td bgcolor=&quot;#333333&quot; style=&quot;border: 1px solid black;&quot;&gt;&lt;span style=&quot;color: #FFFFFF;&quot;&gt;What you Look like&lt;/span&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#DDDDAA&quot; style=&quot;border: 1px solid black;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;img src=&quot;http://www.boomspeed.com/craftygurl/dance2.gif&quot;&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td bgcolor=&quot;#333333&quot; style=&quot;border: 1px solid black;&quot;&gt;&lt;span style=&quot;color: #FFFFFF;&quot;&gt;The Music&lt;/span&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#DDDDAA&quot; style=&quot;border: 1px solid black;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Reggae&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;input type=&quot;hidden&quot; name=&quot;un&quot; value=&quot;karchan85&quot;&gt;&lt;input type=&quot;hidden&quot; name=&quot;meme&quot; value=&quot;1074731062&quot;&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;center&quot; bgcolor=&quot;#000000&quot;&gt;&lt;input type=&quot;submit&quot; value=&quot;Fill Out Your Answers and Try it!&quot;&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; align=&quot;center&quot; bgcolor=&quot;#000000&quot;&gt;&lt;font size=&quot;-1&quot; color=&quot;#FFFFFF&quot;&gt;&lt;a href=&quot;http://memegen.net/&quot;&gt;&lt;font color=&quot;#DDDD88&quot;&gt;Quiz created with MemeGen&lt;/font&gt;&lt;/a&gt;!&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/form&gt;&lt;/table&gt;</description>
  <comments>http://brillig01.livejournal.com/19835.html</comments>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>http://brillig01.livejournal.com/19672.html</guid>
  <pubDate>Mon, 28 Mar 2005 19:11:00 GMT</pubDate>
  <link>http://brillig01.livejournal.com/19672.html</link>
  <description>&lt;form action=&quot;http://grahame.angrygoats.net/lj-haiku/index.psp&quot; method=&quot;post&quot;&gt;&lt;table cellspacing=&quot;0&quot; cellpadding=&quot;2&quot; align=&quot;center&quot; border=&quot;1&quot;&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td align=&quot;left&quot; bgcolor=&quot;#303088&quot; colspan=&quot;2&quot;&gt;&lt;font color=&quot;#ffffff&quot;&gt;&lt;b&gt;LiveJournal Haiku!&lt;/b&gt;&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td bgcolor=&quot;#303088&quot;&gt;&lt;font color=&quot;#ffffff&quot;&gt;Your name:&lt;/font&gt;&lt;/td&gt;&lt;td align=&quot;right&quot; bgcolor=&quot;#ddddaa&quot;&gt;&lt;font color=&quot;#303088&quot;&gt;brillig01&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td bgcolor=&quot;#303088&quot;&gt;&lt;font color=&quot;#ffffff&quot;&gt;Your haiku:&lt;/font&gt;&lt;/td&gt;&lt;td align=&quot;right&quot; bgcolor=&quot;#ddddaa&quot;&gt;&lt;font color=&quot;#303088&quot;&gt;the viciousness of&lt;br /&gt;these geese changed some of the&lt;br /&gt;photo archivist&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td bgcolor=&quot;#303088&quot;&gt;&lt;font color=&quot;#ffffff&quot;&gt;Username:&lt;/font&gt;&lt;/td&gt;&lt;td bgcolor=&quot;#ddddaa&quot;&gt;&lt;input value=&quot;brillig01&quot; name=&quot;haiku_username&quot;&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td align=&quot;middle&quot; bgcolor=&quot;#303088&quot; colspan=&quot;2&quot;&gt;&lt;input type=&quot;submit&quot; value=&quot;What&amp;#39;s my Haiku?&quot;&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td align=&quot;middle&quot; colspan=&quot;2&quot;&gt;&lt;font size=&quot;-1&quot;&gt;&lt;a href=&quot;http://www.livejournal.com/users/grahame/&quot;&gt;Created by &lt;img style=&quot;BORDER-RIGHT: 0px; BORDER-TOP: 0px; VERTICAL-ALIGN: bottom; BORDER-LEFT: 0px; BORDER-BOTTOM: 0px&quot; src=&quot;http://stat.livejournal.com/img/userinfo.gif&quot;&gt;Grahame&lt;/a&gt;&lt;/font&gt;&lt;input type=&quot;hidden&quot; value=&quot;brillig01&quot; name=&quot;haiku_referrer&quot;&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/form&gt;</description>
  <comments>http://brillig01.livejournal.com/19672.html</comments>
  <lj:mood>good</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>2</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>http://brillig01.livejournal.com/19260.html</guid>
  <pubDate>Sun, 27 Mar 2005 20:34:32 GMT</pubDate>
  <title>The oddest things you come across while researching intertextuality on the internet</title>
  <link>http://brillig01.livejournal.com/19260.html</link>
  <description>&lt;a href=&quot;http://www.starchamber.com/archives/001377.html&quot;&gt;http://www.starchamber.com/archives/001377.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I&apos;m dylexic.&amp;nbsp; The Hokey Pokey was an exercise in frustration until I started wearing a watch.&amp;nbsp; By that time, I had graduated to The Bump and The Hustle, which prepared me for The Achy Breaky&amp;nbsp;(if one can ever be prepared for&amp;nbsp;The Achy Breaky).&amp;nbsp; &lt;br /&gt;&lt;br /&gt;Ok, back to&amp;nbsp;the Rainer Maria Rilke and Laurie Anderson&amp;nbsp;essay I must have done before &lt;em&gt;Deadwood&lt;/em&gt;,&lt;em&gt; Carnivale&lt;/em&gt; and &lt;em&gt;The L Word.&amp;nbsp; &lt;/em&gt;</description>
  <comments>http://brillig01.livejournal.com/19260.html</comments>
  <lj:music>&quot;Ballad Of Hollis Brown&quot; by Bob Dylan - Musicmatch Jukebox</lj:music>
  <media:title type="plain">&quot;Ballad Of Hollis Brown&quot; by Bob Dylan - Musicmatch Jukebox</media:title>
  <lj:mood>amused</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>2</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>http://brillig01.livejournal.com/18963.html</guid>
  <pubDate>Thu, 24 Mar 2005 05:11:22 GMT</pubDate>
  <title>My Final Packet</title>
  <link>http://brillig01.livejournal.com/18963.html</link>
  <description>&lt;p&gt;In my MFA program, we send a packet consisting of 5 poems and a couple of essays every 3 - 4 weeks to our mentor.&amp;nbsp; I&apos;m working on the last one of this semester.&amp;nbsp; Which sounds more interesting for a short essay?&amp;nbsp; Rainer Maria Rilke and Laurie Anderson:&amp;nbsp; Elegies and Angels&amp;nbsp;or Laurie Anderson:&amp;nbsp; Narrative Collagist.&lt;/p&gt;</description>
  <comments>http://brillig01.livejournal.com/18963.html</comments>
  <lj:music>&quot;Strange Angels&quot; by Laurie Anderson - Musicmatch Jukebox</lj:music>
  <media:title type="plain">&quot;Strange Angels&quot; by Laurie Anderson - Musicmatch Jukebox</media:title>
  <lj:mood>busy</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>2</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>http://brillig01.livejournal.com/18911.html</guid>
  <pubDate>Thu, 24 Mar 2005 04:33:45 GMT</pubDate>
  <title>95% Existentialist, 70% Hedonist--I&apos;m free to choose, so where&apos;s the orgy.</title>
  <link>http://brillig01.livejournal.com/18911.html</link>
  <description>&lt;table border=&quot;0&quot; cellpadding=&quot;5&quot; cellspacing=&quot;0&quot; width=&quot;600&quot;&gt;&lt;tr&gt;&lt;td&gt;&lt;/td&gt;&lt;td&gt; You scored as &lt;b&gt;Existentialism&lt;/b&gt;. Your life is guided by the concept of &lt;b&gt;Existentialism&lt;/b&gt;:  You choose the meaning and purpose of your life.&lt;p&gt;&lt;/p&gt;&lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br&gt;&lt;br&gt;“Man is condemned to be free; because once thrown into the world, he is responsible for everything he does.”&lt;br /&gt;&lt;br&gt;“It is up to you to give [life] a meaning.”&lt;br /&gt;&lt;br&gt;--Jean-Paul Sartre&lt;br /&gt;&lt;br /&gt;&lt;br&gt;&lt;br&gt;“It is man&apos;s natural sickness to believe that he possesses the Truth.”&lt;br /&gt;&lt;br&gt;--Blaise Pascal&lt;br&gt;&lt;br&gt;&lt;table border=&quot;0&quot; width=&quot;300&quot; cellspacing=&quot;0&quot; cellpadding=&quot;0&quot;&gt;&lt;tr&gt;&lt;td&gt;&lt;p&gt;&lt;font face=&quot;Arial&quot; size=&quot;1&quot;&gt;Existentialism&lt;/font&gt;&lt;/p&gt;&lt;/td&gt;&lt;td&gt;&lt;table border=&quot;1&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; width=&quot;95&quot; bgcolor=&quot;#dddddd&quot;&gt;&lt;tr&gt;&lt;td&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;td&gt;&lt;font face=&quot;Arial&quot; size=&quot;1&quot;&gt;95%&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;p&gt;&lt;font face=&quot;Arial&quot; size=&quot;1&quot;&gt;Hedonism&lt;/font&gt;&lt;/p&gt;&lt;/td&gt;&lt;td&gt;&lt;table border=&quot;1&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; width=&quot;70&quot; bgcolor=&quot;#dddddd&quot;&gt;&lt;tr&gt;&lt;td&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;td&gt;&lt;font face=&quot;Arial&quot; size=&quot;1&quot;&gt;70%&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;p&gt;&lt;font face=&quot;Arial&quot; size=&quot;1&quot;&gt;Utilitarianism&lt;/font&gt;&lt;/p&gt;&lt;/td&gt;&lt;td&gt;&lt;table border=&quot;1&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; width=&quot;65&quot; bgcolor=&quot;#dddddd&quot;&gt;&lt;tr&gt;&lt;td&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;td&gt;&lt;font face=&quot;Arial&quot; size=&quot;1&quot;&gt;65%&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;p&gt;&lt;font face=&quot;Arial&quot; size=&quot;1&quot;&gt;Justice (Fairness)&lt;/font&gt;&lt;/p&gt;&lt;/td&gt;&lt;td&gt;&lt;table border=&quot;1&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; width=&quot;40&quot; bgcolor=&quot;#dddddd&quot;&gt;&lt;tr&gt;&lt;td&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;td&gt;&lt;font face=&quot;Arial&quot; size=&quot;1&quot;&gt;40%&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;p&gt;&lt;font face=&quot;Arial&quot; size=&quot;1&quot;&gt;Kantianism&lt;/font&gt;&lt;/p&gt;&lt;/td&gt;&lt;td&gt;&lt;table border=&quot;1&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; width=&quot;35&quot; bgcolor=&quot;#dddddd&quot;&gt;&lt;tr&gt;&lt;td&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;td&gt;&lt;font face=&quot;Arial&quot; size=&quot;1&quot;&gt;35%&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;p&gt;&lt;font face=&quot;Arial&quot; size=&quot;1&quot;&gt;Strong Egoism&lt;/font&gt;&lt;/p&gt;&lt;/td&gt;&lt;td&gt;&lt;table border=&quot;1&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; width=&quot;25&quot; bgcolor=&quot;#dddddd&quot;&gt;&lt;tr&gt;&lt;td&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;td&gt;&lt;font face=&quot;Arial&quot; size=&quot;1&quot;&gt;25%&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;p&gt;&lt;font face=&quot;Arial&quot; size=&quot;1&quot;&gt;Devine Command&lt;/font&gt;&lt;/p&gt;&lt;/td&gt;&lt;td&gt;&lt;table border=&quot;1&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; width=&quot;20&quot; bgcolor=&quot;#dddddd&quot;&gt;&lt;tr&gt;&lt;td&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;td&gt;&lt;font face=&quot;Arial&quot; size=&quot;1&quot;&gt;20%&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;p&gt;&lt;font face=&quot;Arial&quot; size=&quot;1&quot;&gt;Apathy&lt;/font&gt;&lt;/p&gt;&lt;/td&gt;&lt;td&gt;&lt;table border=&quot;1&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; width=&quot;0&quot; bgcolor=&quot;#dddddd&quot;&gt;&lt;tr&gt;&lt;td&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;td&gt;&lt;font face=&quot;Arial&quot; size=&quot;1&quot;&gt;0%&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td&gt;&lt;p&gt;&lt;font face=&quot;Arial&quot; size=&quot;1&quot;&gt;Nihilism&lt;/font&gt;&lt;/p&gt;&lt;/td&gt;&lt;td&gt;&lt;table border=&quot;1&quot; cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; width=&quot;0&quot; bgcolor=&quot;#dddddd&quot;&gt;&lt;tr&gt;&lt;td&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/td&gt;&lt;td&gt;&lt;font face=&quot;Arial&quot; size=&quot;1&quot;&gt;0%&lt;/font&gt;&lt;/td&gt;&lt;/tr&gt;&amp;lt;/td&amp;gt;&lt;/tr&gt;&lt;/table&gt;&lt;br&gt;&lt;a href=&quot;http://quizfarm.com/test.php?q_id=13060&quot;&gt;What philosophy do you follow? (v1.01)&lt;/a&gt;&lt;br&gt;&lt;font face=&quot;Arial&quot; size=&quot;1&quot;&gt;created with &lt;a href=&quot;http://quizfarm.com&quot;&gt;QuizFarm.com&lt;/a&gt;&lt;/font&gt;&lt;/table&gt;</description>
  <comments>http://brillig01.livejournal.com/18911.html</comments>
  <lj:mood>curious</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>http://brillig01.livejournal.com/18391.html</guid>
  <pubDate>Fri, 25 Feb 2005 12:13:44 GMT</pubDate>
  <title>Ten things I&apos;ve done in my life that you may not have</title>
  <link>http://brillig01.livejournal.com/18391.html</link>
  <description>1.  Applied to and was accepted into an MFA in Creative Writing program without a high school diploma or undergrad degree (well, I do have a GED).&lt;br /&gt;&lt;br /&gt;2.  Spent two months in Highland Hospital in Asheville, NC, a psychiatric hospital where James Taylor is rumored to have been a patient.&lt;br /&gt;&lt;br /&gt;3.  Met one of the heirs of the McIlhenny family that makes Tabasco sauce while in Highland Hospital.&lt;br /&gt;&lt;br /&gt;4.  Diagnosed my rare genetic connective disorder (Ehler-Danlos Syndrome) myself by studying medical textbooks and journals after 20 years of seeing clueless doctors.&lt;br /&gt;&lt;br /&gt;5.  Spend a stormy evening huddled in a stairwell with Sena Jeter Naslund and Molly Peacock during a tornado warning.  It &lt;b&gt;was&lt;/b&gt; a dark and stormy night.&lt;br /&gt;&lt;br /&gt;6.  Was chased and attacked by a menacing flock of rogue geese while visiting Twin Oaks Intentional Community in Virginia.&lt;br /&gt;&lt;br /&gt;7.  Dined on leg and breast of one of the rogue geese after the drummer of Grateful Dead volunteered to kill them, which cause a rift between the vegan and non-vegan   community members.  The viciousness of these geese changed some of the vegans&apos; culinary orientation--a few even started using eiderdown comforters.&lt;br /&gt;&lt;br /&gt;8.  Won 3rd place in a statewide competition for cosmetology students at a Kentucky hairdresser&apos;s convention.&lt;br /&gt;&lt;br /&gt;9.  Helped eccentric, rich Aunt undress after the battery pack from her twinkling Xmas tree sweatshirt got caught in her belt loop.&lt;br /&gt;&lt;br /&gt;10.  Played cards with a serial killer that worked the front desk of the dorm I lived in in the early 80s.</description>
  <comments>http://brillig01.livejournal.com/18391.html</comments>
  <lj:music>&quot;Souvenir&quot; by Orchestral Manoeuvres in the Dark - Musicmatch Jukebox</lj:music>
  <media:title type="plain">&quot;Souvenir&quot; by Orchestral Manoeuvres in the Dark - Musicmatch Jukebox</media:title>
  <lj:security>public</lj:security>
  <lj:reply-count>2</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>http://brillig01.livejournal.com/18085.html</guid>
  <pubDate>Thu, 24 Feb 2005 12:19:46 GMT</pubDate>
  <title>Funny Tagline</title>
  <link>http://brillig01.livejournal.com/18085.html</link>
  <description>4 out of 5 Baptist divorcees want gays to stop undermining the sanctity of &lt;br /&gt;marriage.</description>
  <comments>http://brillig01.livejournal.com/18085.html</comments>
  <lj:music>&quot;Wonder&quot; by Natalie Merchant - Musicmatch Jukebox</lj:music>
  <media:title type="plain">&quot;Wonder&quot; by Natalie Merchant - Musicmatch Jukebox</media:title>
  <lj:mood>sleepy</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>0</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>http://brillig01.livejournal.com/17638.html</guid>
  <pubDate>Thu, 24 Feb 2005 01:15:48 GMT</pubDate>
  <title>Great Lands o&apos; Goshen, It&apos;s a Green River Blog</title>
  <link>http://brillig01.livejournal.com/17638.html</link>
  <description>&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;Which is not a green river frog and none of us, as far as I know, live near or in the Green River. Still, the name is musical with its ripple of upbeat &quot;Rs&quot;: Green River Writers scribble in the Green River Blog. Long may it and we live!!&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://www.greenriverwriters.org/grwblog/&quot;&gt;http://www.greenriverwriters.org/grwblog/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;St. Magical Mark of Sad Eyed Art &lt;a href=&quot;http://www.keane-eyes.com/&quot;&gt;&lt;a href=&quot;http://www.keane-eyes.com/&quot;&gt;http://www.keane-eyes.com/&lt;/a&gt;&lt;/a&gt;</description>
  <comments>http://brillig01.livejournal.com/17638.html</comments>
  <lj:security>public</lj:security>
  <lj:reply-count>2</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>http://brillig01.livejournal.com/17261.html</guid>
  <pubDate>Sat, 16 Nov 2002 23:24:22 GMT</pubDate>
  <title>I&apos;m Alive</title>
  <link>http://brillig01.livejournal.com/17261.html</link>
  <description>Life has been distracting.  I&apos;ve rekindled my old love of poetry and rejoined a local writers club called the Green River Writers.  Went on a 4 day retreat last weekend with them.  It was real laid-back retreat, more of a social recharging than a weekend of workshoping.  That was nice, but I think I&apos;d prefer sometime inbetween the two.  I was inspired just from being with 22 other people who understand becoming orgasmic over a line of poetry or just a word.  &lt;br /&gt;&lt;br /&gt;It was a bit odd getting back with a group I hadn&apos;t been with in over 10 years.  Many remembered me who I couldn&apos;t remember in the least.  That either says bad things about my memory or good things about the impression I make.  The ones I did remember had changed in appearance (they were simply older just like me), but not in personality or likeability.  I step right back in like I&apos;d never been gone.&lt;br /&gt;&lt;br /&gt;A life lesson I&apos;ve learned is that if you are with someone that becomes your whole life, that distracts you to the point of not doing the things you love with people who also love doing it, you are neglecting yourself.  Rejoining the Green River Writers has been one of the major steps of washing that man out of my hair, as it were.  And I wore a poem about it.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;A Tangled Mess&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;How easily you leave the ground.&lt;br /&gt;Gravity fights, but sky loves you best.&lt;br /&gt;You hold no graveness in your form,&lt;br /&gt;balloon-hollow and helium-light,&lt;br /&gt;this side of astral.  Sorrow&lt;br /&gt;&lt;br /&gt;is stuffed in the thin string&lt;br /&gt;tied to your butt -- you trail your grief;&lt;br /&gt;float upward, unaware&lt;br /&gt;when you&apos;re snagged.&lt;br /&gt;&lt;br /&gt;I tried to untangle you,&lt;br /&gt;when struck by a violent wind,&lt;br /&gt;ripped from my hand&lt;br /&gt;and left knotted in my hair.&lt;br /&gt;&lt;br /&gt;Three years after I cut you loose,&lt;br /&gt;I still find bits of sadness in the bathtub snare.</description>
  <comments>http://brillig01.livejournal.com/17261.html</comments>
  <lj:music>&quot;Small Blue Thing&quot; by Suzanne Vega</lj:music>
  <media:title type="plain">&quot;Small Blue Thing&quot; by Suzanne Vega</media:title>
  <lj:mood>contemplative</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>7</lj:reply-count>
</item>
<item>
  <guid isPermaLink='true'>http://brillig01.livejournal.com/9462.html</guid>
  <pubDate>Fri, 02 Aug 2002 06:26:25 GMT</pubDate>
  <title>A Night To Make An Journal Entry Of</title>
  <link>http://brillig01.livejournal.com/9462.html</link>
  <description>I&apos;ve had the greatest time, tonight.  I just got in from going out with friends I&apos;ve known since the early 80&apos;s.  We discovered this place called The Red Lounge which is in the trendy part of Louisville on Frankfort Ave.  It was a gas station in a former life which gave it an interesting lay out and two garage doors that they open when it isn&apos;t so fucking hot and humid.  &lt;br /&gt;&lt;br /&gt;We sat way in the back by the pool tables and watched this nice group of lesbians play pool (not a gay bar but one in which a group of lesbians feel comfortable).  It was me and my friends Rebecca, Steve, Jimmy and Bede, a old friend visiting from St. Louis.  Bede is interesting because he&apos;s a Benedictine Priest at the St. Louis Abbey.  He&apos;s being what he calls exiled to England because he and the Abbot don&apos;t get along.  He&apos;ll be studying History at Oxford.  If only I could get exiled in such a way.&lt;br /&gt;&lt;br /&gt;&lt;a name=&quot;cutid1&quot;&gt;&lt;/a&gt;&lt;br /&gt;Rebecca and  Steve Bodnar I have known since 1984.  I met them shortly before they married that same year.  They were part of the original group that I started playing D&amp;D with.  We have been through so many life turning points I just couldn&apos;t imagine life with out them.  I love them something awful.  Rebecca was kind of the photo archivist of our group of friends.  She documented my many hairstyles and color as I went from a skinny Gay Clone to a New Wave/Punk wannabe to a Goth wannabe.  Fortunately and unfortunately,  she missed documenting my growth into the middle aged, hefty bear I am now.  Steve has always been that great GM (Game Master for those who don&apos;t know the joys of role-playing games) and straight male friend that let me be as queer as I want to be without feeling threatened.  Oh the many moves he has lent his muscles too!  Also, when we were both very poor college students off for the summer, we killed a lot of free time together.    &lt;br /&gt;&lt;br /&gt;Jimmy is a college friend I&apos;ve know since 1982.  We were both Theater majors and did oh so many productions together at Spalding University here in Louisville.  I can&apos;t imagine a better friend.  After we got so fed up with dorm life, we faced the cold big world together as roommates.  Although I went through many suicidal depressions and attempts in my early twenties, he never turned away from me.  I went through money problems, drinking problems and he was always there (sometimes sitting in the dark because I didn&apos;t pay the electric bills).  Then, he nursed me through the awful break-up with Eric 3 years ago.&lt;br /&gt;&lt;br /&gt;The reason this night was so nice is that we had really grown apart as friends sometimes just from life circumstances.  We were lamenting that fact at the Bodnar&apos;s pool party this past Sunday.  We were missing how much time we used to spend together, how spontaneous we use to be.  Work schedules, energy levels and stuff makes it hard to be as flexible.  So, we&apos;ve decided to plan to be spontaneous every Thursday around 6pm when everyone gets off work.  The time may not be spontaneous but the activity will be.  Friends are just nice to have around!</description>
  <comments>http://brillig01.livejournal.com/9462.html</comments>
  <lj:music>&quot;City Girl&quot; by Joan Armatrading</lj:music>
  <media:title type="plain">&quot;City Girl&quot; by Joan Armatrading</media:title>
  <lj:mood>grateful</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>10</lj:reply-count>
</item>
</channel>
</rss>
